
MAKING OF
The process begins with the selection of the woods, one of the most important decisions. For the soundboard, woods such as spruce or cedar are typically used due to their ability to transmit sound. The back and sides can be made of rosewood, maple, walnut, and countless other woods, each contributing a distinct nuance to the guitar’s final tone, depending on whether it is a classical or flamenco guitar.
Once the woods are chosen, the luthier carefully assigns each piece to its model. The soundboard is tuned to the appropriate thickness, which directly influences the resonance. The sides are then assembled by hand using heat to give them their characteristic shape and are joined to the back and soundboard, creating the soundbox.
The neck is crafted separately, with meticulous attention paid to its shape and comfort, as it is crucial for the guitarist’s playing experience. The ebony fingerboard is then placed on top, and the frets are precisely fitted.
Next, all the parts are joined, and the guitar is sanded and finished. The varnish not only protects the wood but also affects the sound, so it is applied in thin, even layers. Finally, the nut, machinehead, and strings are attached, and the final adjustments are made to ensure proper tuning and playing comfort. Each guitar is individually customized, as these are handcrafted instruments.
A handmade guitar is not just a musical instrument but a work of art that can take weeks or even months to complete, and whose value lies both in its sound and in the care and dedication invested in its creation. After this entire process, the Amalio Burguet Guitar is born.