Instruments which were the predecessors to the guitar have been found in the most ancient excavation in the foundation of the western culture. The discovery of instruments which have common characteristics with the guitar, such as, strings. Resonant body and neek in the ancient structure of the Near East show that the predecessors to the guitar are ancient as the West itself.
In the remains of Imperial Rome and Egipt you can find clearer samples of stringed instruments which are accepted not only as the predecessor to tthe guitar but of many stringed instruments. The shapes adopted are very varied but the materials used in the manufacture, like the different natural wood, are still used today.
   

In Middle Age Europe, the guitar with it's many alternatives entered into a phase of increasing popularity.
Being so portable, the instrument was the travelling companion of the wanderers who travelled in ancient Europe musically interpreting universal sentiments such as love. It is at this time that the first references to guitarmakers were found, printing their sound as a reflection of their own life.

The Arabs left, as part of their legacy on the Iberian Peninsular, another variety of guitar but even more important the key points to the design and manufacture of the classical guitar.

The number of strings, size and layout of elements suffered some variations during the following centuries, but the guitar continued to prosper in popularity finally becoming the world's most loved instrument.
Amalio Burguet is the inheritor of the great traditional latin craftmanship such as the cultural essence of the mediterranian border.

Burguet created, with passion, a guitar whose music knew how to captivate the hearts of the audience.